Ovid metamorphosen apollo und daphne () Die erste Liebe Phoebus' war Daphne, des Peneus Tochter – eine Liebe, die ihm kein blindes Geschick schenkte, sondern der ungestüme Zorn Cupidos. Delius . 1 Informiere Dich, welche Bedeutung der Lorbeer im Mythos und Kult des Gottes Apollon hatte, und untersuche, wie Ovid diese Sachbezüge in seiner. 2 Die mythologischen Themen der Metamorphosen in der bildenden Kunst. Gian Lorenzo Bernini und Luca Giordano im Barock. 3 Die Metamorphosen sind deshalb nicht nur Epos, sondern auch Lehrgedicht und Roman, Komödie und Tragödie, Geschichtswerk und philosophische Abhandlung. 4 Ovid, Buch I: Metamorphosen (Deutsche Übersetzung) – Apollo und Daphne. Lateinischer Text. Übersetzung. () Primus amor Phoebi Daphne Peneia, quem non fors ignara dedit, sed saeva Cupidinis ira, Delius hunc nuper, victa serpente superbus, viderat adducto flectentem cornua nervo. ‘quid’ que ‘tibi, lascive puer, cum fortibus. 5 Apollo wears a laurel crown, while Daphne begins her metamorphosis into the laurel tree. Her flowing hair and her extended fingers sprout twigs and leaves that are so thinly carved that they have astonished visitors since the sculpture was first unveiled. Meanwhile, roots descend from her toes and a tree trunk begins to sheath her torso. 6 Translation:Metamorphoses/Daphne and Apollo From Wikisource Metamorphoses Jump to navigationJump to search ←Creation Metamorphoses by Ovid, translated from Latin by Wikisource Daphne and Apollo Pyramus and Thisbe→ sister projects: Wikidata item. Met. I. Metamorphoses — Daphne and ApolloOvid v. 7 The antagonism between Apollo and Daphne only exacerbates their respective feelings towards one another. Daphne’s fear of Apollo and her running away from him makes him desire her more, and his increased desire only makes her run faster in greater fear. Daphne’s transformation is a kind of stalemate between them. 8 Ovid gets his narrative off to a dark start by introducing the theme of divine rape almost immediately. Apollo, filled with lust for Daphne, attempts to rape her. Even after she is turned into a tree, Apollo kisses her and gropes her bark. Jupiter is no better. He lusts after Io, rapes her, and turns her into a cow when his wife gets suspicious. 9 Apollo. Ovid characterizes Apollo as a god of foolish and ineffectual passions. The son of Jupiter and the god of the sun, Apollo is a hothead. His strong emotions often get the best of him, making him look and act foolish. In Book I, his lust for Daphne leads him to caress and kiss her—even after she has been turned into a tree. apollo und daphne verwandlung 10 Phoebus liebte zuerst die peneische Daphne, wofür nicht. Blindes Geschick ihn entflammt, nein, rächender Zorn des Cupido. Den verspottete jüngst, noch stolz. 11 ovid apollo und daphne zusammenfassung 12