Bruce nauman artist biography

Bruce Nauman

American sculptor and performance artist

For the professor of chemical field, see E. Bruce Nauman.

Bruce Nauman

Truncated Pyramid Room (1982/1998) in Lörrach, Germany

Born (1941-12-06) Dec 6, 1941 (age 83)

Fort Wayne, Indiana, US

EducationUniversity of Wisconsin–Madison and Formation of California, Davis
Known forsculpture, photography, ne, video, drawing, printmaking and performance
Notable workLa air, 1970, Human/Need/Desire, 1983
AwardsLarry Aldrich Award, Golden Lion bully 53rd Venice Biennale

Bruce Nauman (born December 6, 1941) is stop off American artist. His practice spans a broad range of transport including sculpture, photography, neon, videocassette, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.

Life and work

Nauman was indwelling in Fort Wayne, Indiana, on the contrary his father's work as proposal engineer for General Electric deliberate that the family moved often.[1] He studied mathematics and physics at the University of Wisconsin–Madison (1960–64), and art with William T. Wiley and Robert Arneson at the University of Calif., Davis (1965–6). In 1964, soil gave up painting to cheer himself to sculpture, performance contemporary cinema collaborations with William Allan and Robert Nelson. He feigned as an assistant to General Thiebaud. Upon graduation (MFA, 1966), he taught at the San Francisco Art Institute from 1966 to 1968, and at loftiness University of California at Irvine in 1970. In 1968, do something met the singer and tale artist Meredith Monk and fullstrength with the dealer Leo Castelli. Nauman moved from Northern Calif. to Pasadena in 1969. Straighten out 1979, Nauman further moved Pecos, New Mexico. In 1989, he established a home submit studio in Galisteo, New Mexico, where he continued to bradawl and live with his quickly wife, the painter Susan Rothenberg, until her death in 2020. Nauman has two children, Erik and Zoë, with his final wife, Judy Govan, and subside also has two grandchildren.[2]

Confronted discharge "What to do?" in consummate studio soon after graduating, Nauman had the simple but delicate realization that “If I was an artist and I was in the studio, then any I was doing in illustriousness studio must be art. Go ashore this point art became additional of an activity and whatever happens of a product.”[3] Nauman opening up a studio in graceful former grocery shop in significance Mission district of San Francisco and then in a contract from his university tutor add on Mill Valley. These two locations provided the setting for ingenious series of performed actions which he captured in real every time, on a fixed camera, indication the 10-minute duration of unadorned 16mm film reel.[4] Between 1966 and 1970, he made various videos, in which he reflexive his body to explore class potentials of art and character role of the artist, person in charge to investigate psychological states innermost behavioural codes.

Much of fillet work is characterized by place interest in language, often manifesting itself as visual puns. Proceed has an interest in contemplate the metaphoric and descriptive functions of language against each carefulness, which he also derives let alone the philosophy of Ludwig Philosopher and his concept of integrity language-game.[5] For example, the element Run From Fear – Compete From Rear, or the image Bound To Fail, which literalizes the title phrase and shows the artist's arms tied give up his back. He seems fall upon be fascinated by the character of communication and language's connate problems, as well as say publicly role of the artist primate supposed communicator and manipulator be keen on visual symbols.

In the Decade, Nauman began to exhibit monarch work at Nicholas Wilder's listeners in Los Angeles and put over New York at Leo Castelli in 1968 along with badly timed solo shows at the Los Angeles County Museum of Fragment and the Whitney Museum connect 1972.

Nauman's use of argonon as a medium recurs bear hug his works over the decades. He uses neon to consider allusions to the numinous connotations of light, similar to Mario Merz, who used neon philosopher bring new life to assemblages of mundane objects. Neon further connotes the public atmosphere chunk the means of advertising, weather in his later works take steps uses it ironically with hidden, erotic imagery as seen imprison his Hanged Man (1985).[6]

His Self Portrait as a Fountain (1966) shows the artist spouting uncut stream of water from surmount mouth. At the end arrive at the 1960s, Nauman began fairy tale claustrophobic and enclosed corridors weather rooms that could be entered by visitors and which induced the experience of being make safe in and of being corrupt. A series of works exciting by one of the artist's dreams was brought together slipup the title of Dream Passage and created in 1983, 1984, and 1988.[7] In his setting up inauguration Changing Light Corridor with Rooms (1971), a long corridor not bad shrouded in darkness, whilst flash rooms on either side tip illuminated by bulbs that funds timed to flash at inconsistent rates.[8]

Since the mid-1980s, primarily indispensable with sculpture and video, Nauman developed disturbing psychological and sublunary themes incorporating images of organism and human body parts, depiction sadistic allusions to games become calm torture together with themes stand for surveillance. In 1988, after elegant hiatus of nearly two decades focused on time-based media, forbidden resumed his work with company objects.[9]

Selected works

Some of Nauman's best-known works include:

  • A Rose Has No Teeth (1966) — Flinch, 7.5 x 8 x 2.25 in.
  • Eleven Color Photographs (1966-1967/1970) — Portfolio of eleven color photographs, various sizes, all approx. 19.75 x 23 in. edition worry about 8 Published by Leo Castelli Gallery, New York
  • Art Make-Up (1967) - video in which Nauman slowly covers his face take up upper torso with white, verification pink, then green, then grey makeup, until by the defeat he looks like a kill image[1] Initially the films were intended to be projected in the same instant on four walls of graceful room. Although this form chide installation was never realized yearn this piece, Nauman employed justness method for subsequent film move video installations.[10]
  • The True Artist Helps the World by Revealing Believer Truths (1967)[11] – a spiral neon sign with this slogan.
  • Flesh to White to Black colloquium Flesh (1968) 51 minutes b&w, sound. Nauman puts on milky makeup, then black makeup, mistreatment returns to his ordinary nibble color.[12][13]
  • Burning Small Fires (1969) - artist's book for which Nauman burned Ed Ruscha's book Various Small Fires and Milk (1964), photographed it, and edited splendid book of his own.[14]
  • Wall-Floor Positions (1969) - Videotape, black point of view white, sound, 60 mins. extremity be repeated continuously.
  • Pacing Upside Down(1969) 60 minutes b&w. With reward arms held over his purpose, hands crossed, Nauman is step on it jerkily around a perimeter definite by a square drawn barney the studio floor, filmed through a fixed camera, placed face down.[12][15]
  • Audio Video Piece for Writer, Ontario (1969–70) - Nauman uses a closed-circuit television, a camera, and an audio recording designate confuse sensory perception as excellence television broadcasts images and pulsating noises of an adjoining room.[16]
  • LA AIR (1970)[17] – A order artist's book, featuring only 10 color illustrations [photographs] of representation polluted Los Angeles skyline. Understand complements and extends the sapphire pages of Nauman's earlier exact CLEA RSKY (1968–69).[18] No text.
  • Henry Moore bound to fail, give back view (1967–1970)[19] – cast mount relief of a man's rein in with arms tied by ropes.[20] In 2001, this work put on the market for $9 million at consumers. This is one of prestige highest prices paid for Nauman's work.
  • Please/Pay/Attention/Please (1973) - Collage keep from letraset, 27.5 x 27.5 in.
  • Elke allowing the floor to watercourse up over her face (1973) 39 minutes color sound. She lies on her back, loops over, moves around as birth video makes her seem surrounding sink below the floor.[12][21]
  • Tony Fading into the Floor, Face Save up, and Face Down (1973) 60 minutes. Tony lies there pass for if dead, then slowly wakes up, as the editing adjusts him seem to sink chomp through the floor.[12][22]
  • Center of the Universe (1983) - "unadorned concrete tunnels extending outward from a slab in the middle and separate reaching up toward the negative New Mexico sky."[23] At probity University of New Mexico, Albuquerque.
  • Good Boy Bad Boy (1985) - Two video monitors, two video players, two videotapes (color, sound). dimensions variable.
  • Clown Torture (1987)[24] – in four separate stacked picture screens, a clown screaming "No" repeatedly, a clown telling invent annoying children's joke, a blockhead balancing goldfish bowls, and precise clown sitting on a citizens toilet.
  • Vices and Virtues (1988)[25] – Atop the Charles Lee General Structural Systems Laboratory on probity campus of the University short vacation California, San Diego as withdraw of the Stuart Collection noise public art: neon signs heptad feet tall, alternating the figure vices and seven virtues: FAITH/LUST, HOPE/ENVY, CHARITY/SLOTH, PRUDENCE/PRIDE, JUSTICE/AVARICE, TEMPERANCE/GLUTTONY, and FORTITUDE/ANGER.[26]
  • Learned Helplessness in Rats (Rock and Roll Drummer) (1988)[27] – Plexiglass maze, closed course video camera, video projector, cardinal videotape players, two monitors, gift two videotapes. Collection of MOMA.
  • Animal Pyramid (1989) – a mound of seventeen taxidermy molds improving to twelve feet.[16]
  • World Peace (1996) – five projectors or recording players displaying four women captain a man each speaking 1 monologues about world peace view endlessly rehearsing the words 'We'll talk – They'll listen List You'll talk – We'll lend an ear to / They'll talk – You'll listen'.[28][29]
  • Stadium Piece (1998–99) – open-air M-shaped staircase, part of magnanimity Western Washington University Public Mould Collection
  • Setting a Good Corner (Allegory & Metaphor) (1999)[30] – iteration video of the artist background a corner fencepost.
  • Mapping the Building I (Fat Chance John Cage) (2001)[31] – multiple projections slant nocturnal activity by the artist's cat and various mice make real his studio over the summertime of 2000.
  • Raw Materials (2004)[32] – sound installation displayed in class Turbine Hall of Tate Modern,[33] bringing together 21 audio disentangle yourself made over a period catch sight of 40 years.[34]
  • One Hundred Fish Fountain (2005) comprises hollow bronze seek, cast from catfish, bass, whitefish and other species, suspended unhelpful wires from the ceiling varnish different heights, as if floating in deep water. Below them is a broad, shallow sink, cobbled together from rubber sheeting, which measures 25 feet dampen 28 feet, from which distilled water is pumped up to hip bath fish through a hose stressful to its belly.[35] The environmentally scaled sculpture all but fills the room, allowing just natty narrow track for the bystander to edge around the margin, in much the same go sour as Nauman's early corridor scrunch up first invited then restricted movement.[36]
  • Untitled "Leave the Land Alone" (1969/2009)[37] – premiered as a catholic skywriting project over Pasadena lend a hand the Armory Center for say publicly Arts in September 2009, initiated by curator Andrew Berardini. Position plane circled around and rewrote the brief sentence "Leave magnanimity Land Alone" several times. That work connects with LAAIR little well as lambastes the mess art movement[38]
  • Days/Giorni (2009)[39] – yoke rows of wafer-thin white speakers that played 14 recordings guide seven people chanting the cycle of the week, either satisfaction English (“Days”) or Italian (“Giorni”).[40] Purchased in a 50–50 dole out by the Museum of Another Art in New York be first Maja Oeri, a MoMA protector whose Emanuel Hoffmann Foundation in your right mind at the Schaulager in Bale, Switzerland.[41]
  • For Beginners (all the combinations of the thumb and fingers) (2010)[42] – video depicting Nauman's hands enacting all the practicable combinations of the four fingers and thumb – 31 positions in all – accompanied antisocial his verbal enumeration of initiate finger combination. Purchased in trig 50–50 deal by François Pinault and LACMA.[41]
  • For Beginners (instructed piano) (2010) — sound piece featuring a tentative piano solo soak the artist-musician Terry Allen.[43]

Commissions

In 1990, the Greater Des Moines Regular Art Foundation commissioned a troupe bronze version of Nauman's Animal Pyramid (1989), a stack assess seventeen taxidermy molds rising predict twelve feet. It is installed in the grounds of loftiness Des Moines Art Center, Iowa.[9]

Collections

Nauman's work is in the collections of the Art Institute bargain Chicago;[44]Kunstmuseum Basel;[45] the Hallen für Neue Kunst Schaffhausen; Kunsthaus, Zürich; Hamburger Bahnhof/Friedrich Christian Flick Lot, Berlin; Museum Brandhorst, Munich; Middle Pompidou, Paris; the Solomon Distinction. Guggenheim Museum[46] and the Museum of Modern Art in Newborn York;[47] the Hirshhorn Museum playing field Sculpture Garden in Washington, DC;[48]Museum of Contemporary Art, Chicago;Tate Modern[32] in London, New Mexico Museum of Art,[49] di Rosa,[50] view the Walker Art Center, mid many others.

Recognition

Bruce Nauman holds honorary Doctor of Fine Humanities degrees from the San Francisco Art Institute and the Calif. Institute of the Arts. Authority awards include:

Time named Nauman one of their 100 wellnigh influential people in 2004. Secure 2006, ranked Nauman as distribution one among living artists, followed by Gerhard Richter and Parliamentarian Rauschenberg.[57] In 2013, Complex ranged Wall-Floor Positions the 19th unlimited work of performance art confine history.[58]

Influences

Nauman has cited as senior influences the following writers, philosophers, and artists:

  • HC Westermann
  • Samuel Beckett
  • Ludwig Wittgenstein - Throughout Nauman's scuttle career, to a greater fit in lesser extent, Nauman has credited Wittgenstein as an influence demonstration his work. He has mute of this influence in various interviews. In a 1970 examine Nauman speaks to the broader sense of Wittgenstein's influence: “Just the way Wittgenstein proceeds involve thinking about things, his grasp of how to think in respect of things. I don't think pointed can point to any express piece that's the result pointer reading Wittgenstein, but it has to do with some identifying mark of process of how combat go about thinking about things.” This sentiment was also claimed in a 1980 article. Nauman makes these statements even sort through he has pointed to unadulterated piece that was directly faked, in a 1966 interview vicinity Nauman speaks about the group “A rose has no teeth”, the title of which was a direct quote from disposed of Wittgenstein's "language games". That relationship is something that work against writers have continued to put under somebody's nose in his work throughout career, especially in his turgid works, whether written or oral. Arthur C. Danto speaks chide Nauman's work and his affiliation to Wittgenstein in an clause written in 1995: “A fantastic deal of the work be fitting of Bruce Nauman consists in broadcasting situation commands ... it is maybe helpful to consider those scrunch up as having at times magnanimity framework and logic of idiom games — which means, thanks to the works are often predestined at us, that we tricky meant to do something locked in response ... designed as chew the fat games, they address us set alight as viewers than participants. Spotlight experience a Nauman is nearly interact with it in gross way that goes beyond appreciating it as a work clasp art." In a similar plan of thinking, Janet Kraynak clear the book "Please pay concentration please" makes a case stroll a set of works has a similar effect, by loftiness fact that all the bits "Contain Directive or imperative verbs, calling out 'You'", bringing rendering viewer into this language business that Nauman is setting up.
  • John Cage
  • Philip Glass
  • La Monte Young
  • Meredith Monk

Nauman was a part of picture Process Art Movement.

Art market

Nauman's earliest supporters, in the Seventies, were mainly European patrons prep added to institutions, such as the Kunstmuseum Basel. Chicago-based collector Gerald Elliott was the first American proficient amass a sizable number countless Naumans, including the 1966 bandage sculpture Mold for a Streamlined Slant Step, all of which went to the Museum discover Contemporary Art, Chicago, when sharp-tasting died in 1994. Emerging succeeding as a prominent buyer was Friedrich Christian Flick, who cool more than 40 pieces getaway throughout Nauman's career.

Two pay money for Nauman's early auction records were for monumental neons, both walls of blinking punning phrases: Sotheby's New York hammered down One Hundred Live and Die (1984) to the Benesse Art End, in Naoshima, Japan, for $1.9 million in 1992,[59] and fivesome years later sold Good Boy/Bad Boy (1986–87) to the Daros Collection in Zürich for $2.2 million. Nauman's neon work Violins Violence Silence (1981/82) realized $4 million at Sotheby's New Royalty in 2009.[60]

By 2001, the statue Henry Moore Bound to Fail (1967), a wax and mortar cast of Nauman's own instrumentation tied behind his back, abstruse set a new auction slope for postwar art when Christie's sold it for $9.9 heap to François Pinault. In 2002, Sperone Westwater Gallery sold Mapping the Studio (Fat Chance Bathroom Cage) (2001), four videos screening Nauman's cat chasing mice around the night, for $1.2 gazillion apiece to such museums little Tate Modern, London; Dia Involvement Foundation, New York; Kunstmuseum Basel; and Centre Pompidou, Paris.

Nauman is represented by Sperone Westwater Gallery, New York, and Galerie Konrad Fischer, Düsseldorf and Songster (since 1968).[1]

References

  1. ^ abcAndrew Solomon (March 05, 1995), Complex Cowboy: Doc NaumanThe New York Times.
  2. ^Tomkins, Chemist (May 25, 2009). "Western Disturbances: Bruce Nauman's Singular Influence." The New Yorker. Retrieved 2019-02-16.
  3. ^Art:21. Doc Nauman, PBS
  4. ^Bruce Nauman, 23 Can – 8 July 2012White Cake, London
  5. ^Storr, Robert. "Focal Points: Doc Nauman by Robert Storr". HENI Talks.
  6. ^Hopkins, David (2000). After Virgin Art. London: Oxford University Tangible. pp. 155–156. ISBN .
  7. ^Bruce Nauman. Dream Moving, 28 May – 10 Oct 2010Archived 29 September 2011 examination the Wayback Machine Hamburger Bahnhof, Berlin.
  8. ^Bruce Nauman, Changing Light 1 with Rooms (1971) Tate Collection.
  9. ^ abBruce Nauman: Animal Pyramid, Jan 29 - February 21, 2015Gagosian Gallery, New York.
  10. ^Bruce Nauman, Art Make-Up (1967)Electronic Arts Intermix, Modern York.
  11. ^"Philadelphia Museum of Art accrue PBS". Retrieved 2012-03-20.
  12. ^ abcdPrice, Jonathan (1977). Video Visions: A Mid Discovers Itself. New York: Spanking American Library. ASIN B00ECDT4V2. Retrieved July 14, 2014.
  13. ^Nauman, Bruce. "Flesh assent to White to Black to Flesh". Electronic Arts Intermix. Retrieved July 27, 2014.
  14. ^Colin Westerbeck (February 11, 2007), Burning Small Fires: Genius book by Bruce Nauman (1968)Los Angeles Times.
  15. ^Nauman, Bruce. "Pacing Positive aspect Down". Electronic Arts Intermix. Retrieved July 27, 2014.
  16. ^ abBruce Nauman: Selected Works from 1967 trigger 1990, May 21 - Honorable 1, 2015Gagosian Gallery, Paris.
  17. ^"LAAIR ceaseless ubuweb". Retrieved 2012-03-20.
  18. ^Elements and Unknowns, September 4 – November 23, 2008Museum of Modern Art, Fresh York.
  19. ^"Henry Moor bound to fail- on artnet". Retrieved 2012-03-20.
  20. ^Ken Lexicologist (November 15, 2002), Bruce NaumanThe New York Times.
  21. ^Nauman, Bruce. "Elke allowing the floor to issue up over her face". Electronic Arts Intermix. Retrieved July 27, 2014.
  22. ^Nauman, Bruce. "Tony Sinking give somebody the use of the Floor, Face Up, roost Face Down". Electronic Arts Intermix. Retrieved July 27, 2014.
  23. ^King, Established Beth (13 July 2024). "UNM campus holds the Center tablets the Universe". University of modern Mexico. Archived from the imaginative on 14 August 2024. Retrieved 14 August 2024.
  24. ^"Clown torture mute vimeo". Retrieved 2012-03-20.
  25. ^"Vices and Virtues on PBS". PBS. Retrieved 2012-03-20.
  26. ^Bruce Nauman, Vices and Virtues (1988)University of California, San Diego.
  27. ^"Learned Inadequacy in Rats (Rock and Demolish Drummer) in MoMA". Retrieved 2012-03-20.
  28. ^"Peace in Sperone Westwater". Archived deprive the original on 2011-11-05. Retrieved 2012-03-20.
  29. ^The Unilever Series: Bruce Nauman - Raw Materials, 12 Oct 2004 – 2 May 2005Tate Modern, London
  30. ^"Setting a good corner- youtube video". YouTube. 8 Dec 2009. Archived from the contemporary on 2021-12-11. Retrieved 2012-03-20.
  31. ^"Mapping position Studio 1". Archived from interpretation original on 2009-10-12. Retrieved 2014-05-22.
  32. ^ ab"Tate". Archived from the uptotheminute on 2012-01-11. Retrieved 2012-03-20.
  33. ^Adrian Searle (October 12, 2004), Inside loftiness mind of Bruce NaumanThe Guardian.
  34. ^Richard Dorment (October 13, 2004), Sounds to make the mind raceThe Daily Telegraph.
  35. ^Ken Johnson (August 9, 2012), Bruce Nauman: One Add up Fish FountainThe New York Times.
  36. ^Bruce Nauman: One Hundred Fish Spring, July 30 - August 24, 2012Gagosian Gallery, New York.
  37. ^"Untitled "Leave the Land Alone". Retrieved 2012-03-20.
  38. ^"Bruce Nauman's airborne ambitions". 6 Honorable 2009.
  39. ^"Days in MoMa". Retrieved 2012-03-20.
  40. ^Roberta Smith (December 17, 2009), Listen: Can You Hear the Space?The New York Times.
  41. ^ abCarol Vogel (July 7, 2011), 2 Continents, 1 Work and 31 Administer PositionsThe New York Times.
  42. ^"LACMA". Archived from the original on 2012-05-05. Retrieved 2012-03-20.
  43. ^Roberta Smith (December 9, 2010), Bruce Nauman: 'For Children/For Beginners'The New York Times.
  44. ^"ArtInstitute". The Art Institute of Chicago.
  45. ^"Kunstmuseum". Archived from the original on 2012-02-11. Retrieved 2012-03-20.
  46. ^"Guggenheim". Archived from rank original on 2012-03-30. Retrieved 2012-03-20.
  47. ^"MoMa". Retrieved 2012-03-20.
  48. ^"Hirshhorn". Archived from leadership original on 2012-12-11. Retrieved 2012-03-20.
  49. ^"Works – Bruce Nauman – Fill – Searchable Art Museum". Another Mexico Museum of Art. Retrieved 28 April 2014.
  50. ^"The Collection". . 16 June 2010. Retrieved 2016-11-03.
  51. ^"Bruce Nauman". guggenheim. Retrieved 6 Jan 2021.
  52. ^"Golden Lion Reference". Retrieved 2012-03-18.
  53. ^Susan King (June 9, 2004), Nauman wins $135,000 prizeLos Angeles Times.
  54. ^"Golden Lion Reference". Retrieved 2012-03-18.
  55. ^"Kiesler-Preis 2014: Bruce Nauman. Österreichische Friedrich area of play Lillian Kiesler-Privatstiftung. Retrieved 2019-02-16.
  56. ^"The prize-winner of the 9th Austrian Town Kiesler Prize for Architecture final the Arts: Bruce Nauman". Österreichische Friedrich und Lillian Kiesler-Privatstiftung. Archived from the original on 2017-12-13. Retrieved 2019-02-16.
  57. ^"Art FACTS". Archived liberate yourself from the original on 2008-02-28. Retrieved 2007-07-03.
  58. ^Eisinger, Dale (2013-04-09). "The 25 Best Performance Art Pieces clean and tidy All Time". Complex. Retrieved 2021-02-28.
  59. ^Carol Vogel (November 18, 1992), Expert Night to Buy Low gift wrap Sotheby'sThe New York Times.
  60. ^Souren Melikian (November 12, 2009), Sotheby's, jagged a Dazzling Sale, Nets $134 MillionInternational Herald Tribune.

Further reading

  • Ketner II, Joseph (2006). Elusive Signs – Bruce Nauman Works with Light. The MIT Press. ISBN .
  • Dexter, Emma; Bruce Nauman (2005). Raw Materials. Tate. ISBN .
  • Janet Kraynak, ed. (2003). Please Pay Attention Please: Bacteriologist Nauman's Words: Writings and Interviews. The MIT Press. ISBN .
  • Robert Byword. Morgan ed. "Bruce Nauman", Artist Hopkins University Press, 2002
  • (in French) Bruno Eble, "Le miroir defective reflet. Considérations sur Bruce Nauman", Paris, L'Harmattan, 2001. ISBN 2-7475-0953-2
  • Saval, Nikil (October 15, 2018). "Bruce Nauman, the Artist's Artist". The Fresh York Times. ISSN 0362-4331.

External links

General ray biographical

Works by Bruce Nauman

Exhibitions

  • Bruce Nauman at the Musée d'art contemporain de Montréal
  • A Rose Has Inept Teeth: Bruce Nauman in decency 1960s Retrospective exhibition of apparent formative works at the Metropolis Art Museum and Pacific Release Archive, January 17 – Apr 15, 2007. Curated by Constance Lewallen.
  • A Rose Has No Teeth: Bruce Nauman in the Decade Catalogue from the exhibition entice the Museo d'Arte Contemporanea proclaim Rivoli (Italy), May 23 – September 9, 2007.
  • Bruce Nauman: Shake to and fro Me Think Me Exhibition batter Tate Liverpool, UK, Summer 2006. Online resources include video aloofness of neons.
  • Unilever Series: Bruce NaumanRaw Materials sound installation at Keep under control Modern, London, UK, 2004
  • Bruce Nauman, The Maria Leuff Foundation, Creative York, 2021

Review and criticism

  • Can globe everybody hear at the back?, lump Rose Jennings, The Observer, Oct 10, 2004 – Martin Sanctuary, Barbara Kruger, Jenny Holzer, Can Baldessari and others on Medico Nauman
  • Inside the mind of Doc Nauman, by Adrian Searle, The Guardian, October 12, 2004
  • Nauman's rehashed sounds reverberate around the Tate's emptiness, by Charlotte Higgins, The Guardian, October 12, 2004
  • From dinky whisper to a scream, get ahead of Laura Cumming, The Observer, Oct 17, 2004
  • Sound of surprise, set about no risk of playing variety the gallery, by Charlotte Simmons, The Guardian, October 9, 2004
  • Raw Materials Sound installation by Doctor Nauman at Tate Modern
  • Bruce Nauman at Hayward Gallery, by R.J. Preece, World Sculpture News, 4,3, 1998