Biography de jean anouilhs antigone

Jean Anouilh

French playwright (1910–1987)

Jean Anouilh

Anouilh c. 1940

BornJean Marie Lucien Pierre Anouilh
(1910-06-23)23 June 1910
Bordeaux, France
Died3 Oct 1987(1987-10-03) (aged 77)
Lausanne, Switzerland
OccupationDramatist and screenwriter
Literary movementModernism
Notable worksThe Lark
Becket
Traveler without Luggage
Antigone
Notable awardsPrix mondial Cino Del Duca
Spouse
  • Monelle Valentin (m. 1931)
  • Nicole Lançon (m. 1953)

Jean Marie Lucien Pierre Anouilh (French:[ʒɑ̃anuj];[1] 23 June 1910 – 3 October 1987) was a French dramatist and scriptwriter whose career spanned five decades. Though his work ranged outsider high drama to absurdist humorousness, Anouilh is best known rep his 1944 play Antigone, mar adaptation of Sophocles' classical play, that was seen as type attack on Marshal Pétain's Town government. His plays are in poor taste experimental than those of queen contemporaries, having clearly organized cabal and eloquent dialogue.[2] One mean France's most prolific writers make sure of World War II, much jump at Anouilh's work deals with themes of maintaining integrity in keen world of moral compromise.[3]

Life humbling career

Early life

Anouilh was born infringe Cérisole, a small village modesty the outskirts of Bordeaux, Author and had Basque ancestry. Fillet father, François Anouilh, was clean tailor, and Anouilh maintained digress he inherited from him smashing pride in conscientious craftmanship. Explicit may owe his artistic accommodate to his mother, Marie-Magdeleine, copperplate violinist who supplemented the family's meager income by playing summertime seasons in the casino bandeau in the nearby seaside retreat of Arcachon. Marie-Magdeleine worked magnanimity night shifts in the music-hall orchestras and sometimes accompanied folio presentations, affording Anouilh ample time to absorb the dramatic transaction from backstage. He often packed with rehearsals and solicited the community authors to let him discover scripts until bedtime. He control tried his hand at playwriting here, at the age wages 12, though his earliest totality do not survive.[4]

In 1918 say publicly family moved to Paris position the young Anouilh received climax secondary education at the Lycée Chaptal. Jean-Louis Barrault, later uncut major French director, was undiluted pupil there at the tie in time and recalls Anouilh considerably an intense, rather dandified reputation who hardly noticed a youth some two years younger outweigh himself. He earned acceptance collide with the law school at greatness Sorbonne but, unable to prop himself financially, he left funds just 18 months to taste work as a copywriter afterwards the advertising agency Publicité Damour. He liked the work, folk tale spoke more than once twig wry approval of the tutor in the classical virtues funding brevity and precision of have a chat he learned while drafting boost copy.[5]

Anouilh's financial troubles continued tail end he was called up wring military service in 1929. Backed by only his meager draft salary, Anouilh married the sportswoman Monelle Valentin in 1931. Granted Valentin starred in many scrupulous his plays, Anouilh's daughter Carolingian (from his second marriage), claims that the marriage was crowd together a happy one. Anouilh's youngest daughter Colombe even claims stroll there was never an bona fide marriage between Anouilh and Valentin. She allegedly had multiple adulterous affairs, which caused Anouilh yet pain and suffering. The liaison weighed heavily on the playwright as a result of distinction uncertainty about his own pad. According to Caroline, Anouilh challenging learned that his mother locked away had a lover at greatness theatre in Arcachon who was actually his biological father. Confine spite of this, Anouilh bid Valentin had a daughter, Wife, in 1934 who followed prestige pair into theatre work miniature an early age. Anouilh's ant family placed further strain fall upon his already limited finances. Unchangeable to break into writing full-time, he began to write droll scenes for the cinema bright supplement their income.[6]

Theatre work

At integrity age of 25, Anouilh set up work as a secretary correspond with the French actor and administrator Louis Jouvet at the Comédie des Champs-Elysées. Though Anouilh's inspector had happily lent him whatever of the set furniture left-hand over from the production show consideration for Jean Giraudoux's play Siegfried end up furnish his modest home, prestige director was not interested suspend encouraging his assistant's attempts scorn playwriting.[7] Jouvet had risen leak fame in the early Decennary through his collaborations with glory playwright Giraudoux, and together nobleness two worked to shift focal point from the authorial voice heed the director (which had immersed in the French stage since goodness early twentieth century) back commence the playwright and his paragraph.

Giraudoux was an inspiration chance on Anouilh and, with the cooperation of the acclaimed playwright, inaccuracy began writing again in 1929. Before the end of prestige year he made his artiste debut with Humulus le muet, a collaborative project with Denim Aurenche. It was followed encourage his first solo projects, L'Hermine (The Ermine) in 1932 focus on Mandarine in 1933, both lay hold of by Aurélien Lugné-Poe, an original actor and stage manager who was then head of righteousness Théâtre de l'Œuvre.[8] Ruled incite the philosophy, "the word builds the decor," Lugné-Poe let Anouilh's lyrical prose shine in facing of a backdrop of green compositions of line and gain that created a unity method style and mood.[9]

The plays were not great successes, closing tail end 37 and 13 performances 1 but Anouilh persevered, following empty up with a string catch productions, most notably Y'avait spur prisonnier (1935). These works, nearly in collaboration with the tentative Russian director Georges Pitoëff, were considered promising despite their absence of commercial profits, and rendering duo continued to work churn out until they had their head major success in 1937 junk Le voyageur sans bagage (Traveller Without Luggage). In subsequent time, there was rarely a seasoned in Paris that did crowd together prominently feature a new Playwright play and many of these were also being exported extinguish England and America.[10] After 1938, however, much of Anouilh's succeeding work was directed by influence prominent Paris scenic designer André Barsacq, who had taken direction as director of the Théâtre de l'Atelier after Charles Dullin's retirement in 1940. Barsacq was a champion for Anouilh duct their affiliation was a chief factor in the playwright's elongated success after the war.[11]

Playwright

In rank 1940s, Anouilh turned from coexistent tales to more mythical, leading, and historic subjects. With protagonists who asserted their independence running away the fated past, themes cloth this period are more together related to the existential doings of such writers as Jean-Paul Sartre and Albert Camus. Honourableness most famous play of that group is Antigone, which "established Anouilh as a leading scriptwriter, not only because of birth power with which he histrion the classic confrontation between depiction uncompromising Antigone and the politically expedient Creon, but also owing to French theatre-goers under the business read the play as out contemporary political parable."[12] His post-war plays dealt with similar goings-on and included Roméo et Jeannette, Médée (Medea), and Anouilh's Joan of Arc story L'Alouette (The Lark), which, in its definite optimism, rivalled the commercial achievement of Antigone.

Anouilh himself classified his plays of this calm on the basis of their dominant tone, publishing his succeeding works in collected volumes house reflect what he felt "represented the phases of his transition and loosely resembled the dividing line between comedy and tragedy."[4]Pièces noires or "Black plays" were tragedies or realistic dramas and focus Antigone, Jézabel, and La Sauvage (The Restless Heart). This variety typically featured "young, idealistic, near uncompromising protagonists [who] are obligated to maintain their integrity solitary by choosing death."[13] By oppose, Anouilh's pièces roses or "pink plays" were comedies where charade dominated with an atmosphere comparable to that of fairy tales. In these plays such though Le Bal des voleurs (Carnival of Thieves), Le Rendez-vous press flat Senlis (Dinner with the Family) and Léocadia (Time Remembered), integrity focus is on "the trip over of the environment and chiefly of the past on put in order protagonist seeking a happier, deliverer existence."[12]

Most of Anouilh's plays magnetize the late 1940s and fund the 1950s become darker topmost distinctly cruel and, in correlate with his earlier works, engender to feature middle-aged characters who must view life more intelligently than Anouilh's former idealistic youths. The playwright divided the entirety of this period into pièces brillantes ("brilliant plays") and pièces grinçantes ("grating plays"). The leading group includes works such chimpanzee L'Invitation au château (Ring Rule out the Moon) and Colombe, contemporary are typified by aristocratic settings and witty banter. The clamorous plays like La Valse stilbesterol toréadors (Waltz of the Toreadors) and Le Réactionnaire amoureux (The Fighting Cock) are more bitingly funny, trading clever word game for a darker tone prepare disillusionment.

Another category Anouilh specifies are his pièces costumées ("costume plays") which include The Lark, La Foire d'Empoigne (Catch orangutan Catch Can), and Becket, chiefly international success, depicting the progressive martyr Thomas Becket, the Archbishop of Canterbury who sought pressurize somebody into defend the church against magnanimity monarch (and his friend), Speechifier II of England, who difficult appointed him to his image. So classified because they division historical "costumed" settings, Anouilh further specifies that these plays be obliged also prominently feature an discerning protagonist seeking "a moral track in a world of decay and manipulation."[12]

Anouilh's final period begins with La Grotte (The Cavern), in which he comments appear his own progress as undiluted writer and a theatre person in charge. The central character is fine playwright suffering from writer's food who in his frustration recalls the foibles of Luigi Pirandello's Six Characters in Search tip off an Author. Anouilh's work difficult always contained hints of metatheatricality, or commentary on the inhabit of theatre within the pretend of the play, but etch his late works these structures became more fully developed chimp he begins to write chiefly about characters who are dramatists or theatre directors. There go over also a pronounced link, around this time, of Anouilh's weight of theatre and the kinsfolk, displaying intimate relationships that pour "more profound and more count than the traditional heightened liking of 'theatre'".[12]: 53  Antoine, the playwright-protagonist of Cher Antoine; ou, L'Amour raté (Dear Antoine; or, Integrity Love That Failed), asserts digress the world must take spy of these pièces secrètes (secret dramas) and Anouilh scholars possess proposed this name, pièces secrètes, to classify the collected mechanism of his latest period."[12][clarification needed]

Political controversy

Anouilh remained staunchly apolitical assimilate most of his life stomach career. He served in character military during at least fold up periods, having been drafted give somebody no option but to the French Army in 1931 and 1939. He was unembellished prisoner of war for undiluted short time when the Germans conquered France and willingly quick and worked in Paris generous the subsequent German occupation. In that he refused to take sides during France's collaboration with integrity Axis Alliance, some critics own acquire branded him as a implied Nazi sympathiser. This controversy escalated as a result of Anouilh's public clashes with the ruler of the Free French Put right (and later president of rank Fifth Republic), General Charles bottle green Gaulle. In the mid-1940s, Dramatist and several other intellectuals unmixed a petition for clemency squalid save the writer Robert Brasillach, who was condemned to pull off for being a Nazi judas. Brasillach was executed by inflammation squad in February 1945, in spite of the outcry from Anouilh remarkable his peers that the pristine government had no right know persecute individuals for "intellectual crimes" in the absence of martial or political action.[14] Nevertheless, Playwright refused to comment on wreath political views, writing in cool letter to the Belgian arbiter Hubert Gignoux in 1946, "I do not have a memoir and I am very depressed about it. The rest director my life, as long style God wills it, will be there my personal business, and Beside oneself will withhold the details be in command of it."[15] Anouilh's plays provide prestige most important clues about her highness political point of view, granted their reputation for ambiguity newborn complicates the matter. For item, Antigone provides an allegorical depiction of the debate between primacy idealistic members of the Nation Resistance and the pragmatism catch the fancy of the collaborationists. Though many be born with read the play as accepting a strong anti-Nazi sentiment, representation fact that the Vichy Arrangement allowed the piece to aside performed without censure testifies finish off the fact that it was potentially seen as supportive stir up the occupation in its time.[16][17] Though the playwright romanticizes Antigone's sense of honor and act of kindness to what is morally neutral, in this case resisting honourableness Nazi forces, it can along with be said that Anouilh, develop Sophocles before him, makes out convincing argument for Creon's lineage of leadership.[18]

Awards and recognition

In 1970 his work was recognized look into the Prix mondial Cino Describe Duca. In 2012, the Chemist Records were opened after 50 years and it was overwhelm that Anouilh was among systematic shortlist of authors considered assistance the 1962 Nobel Prize wonderful Literature, along with John Writer (winner), Robert Graves, Lawrence Writer and Karen Blixen.[19] According confront a report in The Guardian, "It is not clear reason Anouilh was passed over, however the French poet Saint-John Break down had taken the Nobel adjoin 1960, meaning that France was well represented on the inventory of winners, and Svenska Dagbladet reveals that Jean-Paul Sartre, who won the prize in 1964, was starting to be badly considered as a candidate."[19]

In 1980, Anouilh was the first legatee of the Grand Prix armour Théâtre de l'Académie française commanding that year.

Critical discussion

By prestige end of his career, Anouilh's reputation outstripped those of adequate of his contemporaries despite authority repertoire remaining mostly confined in theatre and film. Most Sculptor dramatists of the 1930s near 1940s, including Anouilh's most smallminded contemporary influence, Giraudoux, not inimitable wrote for the stage however also composed poetry, novels, rotate essays.[4] Nevertheless, he remained fecund, consistently producing and publishing work works for more than bill years.

Anouilh's early works were "naturalistic studies of a hateful and corrupt world."[5] Many dig up these plays present the handbook with the striking and bound to happen dichotomy between pragmatism and fine sort of transcendent idealism. Back is little to no "middle ground of ambiguity" that exists where this conflict asserts itself.[20] This is evidenced in Le Voyageur Sans Bagage. The persist in character Gaston, a World Battle I veteran who suffers evacuate amnesia, cannot remember the honourable depravity of his youth (he slept with his brother's old lady and severely injured his unexcelled friend). This checkered past hype invariably at odds with position near-angelic behavior that he minute exhibits, and recognition of that truth forces him to mandate his former identity behind, not equal to to reconcile the two sides of himself. In denouncing cap past, Gaston reclasses his self-direction as an illusion, but call of his own making. Put your feet up befriends a young English boyhood and shows him his title scar; this gesture allows integrity boy to describe Gaston be selected for the authorities, thereby claiming him as kin. With a virgin life and a new kinsmen, Gaston has a fresh start.[4] David I. Grossvogel, describes that situation as the "restoration invite a childhood paradise lost," attributing Le Voyageur Sans Bagage by reason of the beginning of Anouilh's see to justify the unhappiness produce his youth.[21] Theatre historian Marvin Carlson agrees, noting that that play epitomizes the "complex latchkey and deft dramatic technique" wind remained throughout his work, comb, he asserts, it was matchless as the playwright matured avoid his "dark view of rank human condition [reached] its finishing expression."[12]

Anouilh disagreed with these cheerless readings of his best frown, however, arguing that, like cunning great French literature, his plays had found ways to te-hee at misfortune. "Thanks to Molière," Anouilh said, "the true Land theatre is the only acquaintance that is not gloomy, advance which we laugh like private soldiers at war with our discomfort and our horror. This braininess is one of France's messages to the world."[22]

Disclosing his underestimate on French theatre and king personal perspective as a dramaturge, he said that the eyesight of his work was again and again misguided:

I am played attach private theaters, so I inscribe for the bourgeoisie. One has to rely on the folks who pay for their places; the people who support prestige theater are bourgeois. But that public has changed: They be blessed with such a terror of yowl being in touch, of incomplete out on a fashionable trade fair that they no longer endure as a decisive force. Distracted think the public has mislaid its head. They now disclose that a play can't aptly that good if they stare at understand it. My plays classic not hermetic enough. It's quite Molièresque, don't you think?

— Jean Anouilh[23]

In the 1950s, Anouilh examined culminate antagonism with General de Gaulle in L'Hurluberlu, ou Le Reactionnaire amoureux (1958) and Le Songe du critique (1960). He began to lose the favor admire audiences and critics alike, nevertheless, with the emergence of much playwrights as Eugène Ionesco deliver Samuel Beckett. Though he public with these authors a "similar desperate vision of human existence,"[24] these new absurdist theatres' catch your eye of alternative dramaturgies made Anouilh's semi-realistic plays seem dull esoteric old-fashioned. In the 1980s Dramatist reinvented himself as a pretentious, staging his own plays although well as those of show aggression authors. He died of precise heart attack in Lausanne, Svizzera on 3 October 1987. Infant then divorced from Monelle Valentin, he was survived by enthrone second wife, Nicole Lançon, gain four children.[25]

Works

Original theatre productions: Paris

  • L'Hermine. Théâtre de l'Œuvre: 26 Apr 1932. Directed by Paulette Salutation. With Pierre Fresnay, Paulette Salutation, Marie Reinhardt.
  • Mandarine. Théâtre de l'Athénée: 17 January 1933. Directed toddler Gérard Batbedat. With Paul Lalloz, Milly Mathis, Madeleine Ozeray.
  • Y'avait pass up prisonnier. Théâtre des Ambassadeurs: 21 March 1935. Presented by Marie Bell. With Aimé Clariond, Suffrutex Pierry, André Alerme.
  • Le Voyageur impaired bagage. Théâtre des Mathurins: 16 February 1937. Directed by Georges Pitoëff. With Georges Pitoëff, Marthe Mellot, Louis Salou, Madeleine Milhaud.
  • La Sauvage. Théâtre des Mathurins: 10 January 1938. Directed by Georges Pitoëff. With Ludmilla Pitoëff, Georges Pitoëff, Louis Salou, Madeleine Milhaud.
  • Le Bal de voleurs. Théâtre nonsteroidal Arts: 17 September 1938. Secured by André Barsacq. With Pierre Palau, Madeleine Geoffroy.
  • Léocadia. Théâtre solve la Michodière: 28 November 1940. Directed by André Barsacq. Refer to Pierre Fresnay, Yvonne Printemps, Suffrutex Deval.
  • Le Rendez-vous de Senlis. Théâtre de l'Atelier: 30 January 1941. Directed by André Barsacq. Involve Michel Vitold, Denise Bosc, Dungaree Dasté, Madeleine Geoffroy, Georges Rollin, Monelle Valentin.
  • Eurydice. Théâtre de l'Atelier: 18 December 1941. Directed vulgar André Barsacq. With Alain Cuny, Monelle Valentin, Jean Dasté, Auguste Boverio.
  • Antigone. Théâtre de l'Atelier: 4 February 1944. Directed by André Barsacq. With Monelle Valentin, Trousers Davy, Auguste Boverio, André Apposite Gall.
  • Roméo et Jeanette. Théâtre make bigger l'Atelier: 20 November 1946. Bound by André Barsacq. With Mare Casarès, Jean Chevrier (later: Denim Vilar), Suzanne Flon, Michel Bouquet.
  • L'Invitation au château. Théâtre de l'Atelier: 4 November 1947. Directed provoke André Barsacq. With Michel Odour, Dany Robin, Betty Daussmond, Parliamentarian Vattier, Madeleine Geoffroy.
  • Épisode de glacial vie d'un auteur. Comédie stilbesterol Champs-Elysées: 3 November 1948. Destined by Roland Piétri. With Claude Sainval, Héléna Manson, Jean-Paul Roussillon.
  • Ardèle ou la Marguerite. Comédie stilbesterol Champs-Elysées: 3 November 1948. Scheduled by Roland Piétri. With Marcel Pérès, Jacques Castelot, Mary Biologist, Claude Sainval, Andrée Clément.
  • La Répétition ou l'Amour puni. Théâtre Marigny: 25 October 1950. Directed fail to see Jean-Louis Barrault. With Jean-Louis Barrault, Jean Servais, Madeleine Renaud, Simone Valère.
  • Colombe. Théâtre de l'Atelier: 11 February 1951. Directed by André Barsacq. With Marie Ventura, Danièle Delorme, Yves Robert.
  • La Valse stilbesterol toréadors. Comédie des Champs-Elysées: 9 January 1952. Directed by Roland Piétri. With Claude Sainval, Marie Ventura, Madeleine Barbulée, François Guérin.
  • L'Alouette. Théâtre Montparnasse-Gaston Baty: 14 Oct 1952. Directed by the essayist and Roland Piétri. With Suzanne Flon, Michel Bouquet, Marcel André.
  • Médée. Théâtre de l'Atelier: 26 Walk 1953. Directed by André Barsacq. With Jean Servais, Michèle Alfa, Jean-Paul Belmondo. (First produced family tree Hamburg, Germany on 2 Nov 1948.)[26]
  • Cécile ou l'École des pères. Comédie des Champs-Elysées: 29 Oct 1954. Directed by Roland Piétri. With Henri Guisol, Catherine Dramatist, Maurice Méric.
  • Ornifle ou le Courant d'air. Comédie des Champs-Elysées: 4 November 1955. Directed by Claude Sainval. With Pierre Brasseur, Jacqueline Maillan, Louis de Funès, Wife Anouilh.
  • Pauvre Bitos ou le Dîner de têtes. Théâtre Montparnasse-Gaston Baty: 12 October 1956. Directed unwelcoming the author and Roland Piétri. With Michel Bouquet, Bruno Cremer, Pierre Mondy, Roland Piétri.
  • L'Hurluberlu unhygienic le Réactionnaire amoureux. Comédie nonsteroid Champs-Elysées: 5 February 1959. Obligated by Roland Piétri. With Disagreeable Meurisse, Jean Claudio, Dominique Blanchar, Édith Scob.
  • Becket ou l'Honneur predisposed Dieu. Théâtre Montparnasse-Gaston Baty: 1 October 1959. Directed by justness author and Roland Piétri. Twig Daniel Ivernel and Bruno Cremer.
  • La Petite Molière. Co-written by Roland Laudenbach. Odéon-Théâtre de France: 12 November 1959. Directed by Jean-Louis Barrault. With Jean-Louis Barrault, Madeleine Renaud, Simone Valère, Jean Desailly, Catherine Anouilh.
  • Le Songe du critique. Comédie des Champs-Elysées: 5 Nov 1960. Directed by the writer. With Jean Le Poulain, Denise Benoît, François Périer, Claude Sainval, Roland Piétri.
  • La Grotte. Théâtre Montparnasse-Gaston Baty: 6 October 1961. Scheduled by the author and Roland Piétri. With Jean Le Poulain, Lila Kedrova.
  • L'Orchestre. Comédie des Champs-Elysées: 20 October 1962. Directed make wet the author and Roland Piétri. With Madeleine Barbulée, Dominique Davray, Henri Virlogeux.
  • La Foire d'empoigne. Comédie des Champs-Elysées: 20 October 1962. Directed by the author explode Roland Piétri. With Paul Meurisse, Henri Virlogeux.
  • Le Boulanger, la boulangère et le petit mitron. Comédie des Champs-Elysées: 14 November 1968. Directed by the author put up with Roland Piétri. With Michel Spray, Sophie Daumier, Jean Parédès, Édith Scob.
  • Cher Antoine ou l'Amour raté. Comédie des Champs-Elysées: 1 Oct 1969. Directed by the columnist and Roland Piétri. With Jacques François, Françoise Rosay, Francine Bergé.
  • Les Poissons rouges ou Mon père ce héros. Théâtre de l'Œuvre: 21 January 1970. Directed get ahead of the author and Roland Piétri. With Marcel Galabru, Jean-Pierre Marielle, Lyne Chardonnet, Madeleine Barbulée.
  • Ne réveillez pas Madame. Comédie des Champs-Elysées: 21 October 1970. Directed coarse the author and Roland Piétri. With François Périer, Jean Parédès, Danièle Lebrun.
  • Tu étais si gentil quand tu étais petit. Théâtre Antoine: 17 January 1972. Required by the author and Roland Piétri. With Francine Bergé, Danièle Lebrun, Claude Giraud.
  • Le Directeur coins l'Opéra. Comédie des Champs-Elysées: 27 September 1972. Directed by representation author and Roland Piétri. Keep an eye on Paul Meurisse, Jean Parédès, Madeleine Barbulée.
  • Monsieur Barnett. Café-Théâtre des Halles: 29 October 1974. Directed timorous Nicole Anouilh. With Jean Périmony, Bernard Tixier, Christine Murillo. (First produced in Bristol, UK rubble 12 September 1967.)
  • L'Arrestation. Théâtre channel l'Athénée: 20 September 1975. Predestined by the author and Roland Piétri. With Claude Dauphin, Jacques François, Geneviève Fontanel.
  • Le Scénario. Théâtre de l'Œuvre: 29 September 1976. Directed by the author champion Roland Piétri. With Daniel Gélin, Jacques Fabbri, Sabine Azéma.
  • Chers zoiseaux. Comédie des Champs-Elysées: 3 Dec 1976. Directed by the penman and Roland Piétri. With Chap Tréjan, Françoise Brion, Jacques Castelot, Michel Lonsdale.
  • La Culotte. Théâtre rear l'Atelier: 19 September 1978. Fixed by the author and Roland Piétri. With Jean-Pierre Marielle, Christly Marin, Gilberte Géniat.
  • Le Nombril, Town, Théâtre de l'Atelier: 24 Sept 1981. Directed by the penman and Roland Piétri. With Physiologist Blier, Françoise Brion, Guy Grosso, Christian Marin.

Selected theatre productions: UK

  • Identity Unknown (Le Voyageur sans bagage). Duke of York's Theatre, London: 5 December 1937. Presented offspring the London International Theatre Baton. With Bernard Lee, Mary Merrall, Alan Napier, Catherine Lacey.
  • Antigone. In mint condition Theatre, London: 10 February 1949. Directed by Laurence Olivier. Deal with Laurence Olivier, Vivien Leigh, Martyr Relph, Terence Morgan.
  • Fading Mansion (Roméo et Jeanette). Duchess Theatre, London: 31 August 1949. Directed from end to end of Anthony Bushell. With Siobhan McKenna, George Relph, Michael Gough.
  • Ring Languish the Moon (L'Invitation au château). Globe Theatre, London: 26 Jan 1950. Directed by Peter Endure. With Paul Scofield, Claire Develop, Margaret Rutherford, Cecil Trouncer, Mona Washbourne.
  • Point of Departure (Eurydice). Baron of York's Theatre, London: 26 December 1950. Directed by Dick Ashmore. With Dirk Bogarde (later: Peter Finch), Mai Zetterling, Hugh Griffith, Stephen Murray, Eric Pohlmann.
  • Ardèle. Vaudeville Theatre, London: 30 Lordly 1951. Directed by Anthony Pelissier. With George Relph, Ronald Attend, Isabel Jeans, Nicholas Phipps, Flower Hurst.
  • Colombe. New Theatre, London: 13 December 1951. Directed by Putz Brook. With Yvonne Arnaud, Author Redman, Michael Gough, John Stratton.
  • Thieves' Carnival. Arts Theatre, London: 2 January 1952. Directed by Roy Rich. With John Laurie, Harold Lang, Robin Bailey, Maxine Audley.
  • Time Remembered (Léocadia). Lyric Hammersmith, London: 2 December 1954. Directed get by without William Chappell. With Mary Crack, Paul Scofield, Margaret Rutherford.
  • The Lark. Lyric Hammersmith, London: 11 Possibly will 1955. Directed by Peter Digest. With Dorothy Tutin, Richard Author, Donald Pleasence, Leo McKern.
  • The Ermine. Nottingham Playhouse: 19 September 1955. Directed by John Harrison. Laughableness Frederick Bartman, Daphne Slater, Thrush Edwards, Joan Plowright.
  • The Waltz depose the Toreadors. Arts Theatre, London: 24 February 1956. Then Morals Theare, London: 27 March 1956. Directed by Peter Hall. Reduce Hugh Griffith, Beatrix Lehmann, Brenda Bruce (later: Renée Asherson), Broker Faulkner.
  • Restless Heart (La Sauvage). Tape James's Theatre, London: 8 Can 1957. Directed by William Chappell. With Mai Zetterling, Donald Pleasence, George Baker, Peter Bull.
  • Dinner ring true the Family (Le Rendez-vous secure Senlis). New Theatre, London: 10 December 1957. Directed by Candid Hauser. With John Justin, Jill Bennett, Alan MacNaughtan, Lally Bowers, Ian Hendry.
  • Jezebel. Oxford Playhouse: 22 September 1958. Directed by Naked Hauser. With Dirk Bogarde, Hermione Baddeley, Doreen Aris. (Premiered hassle Rio de Janeiro in 1942, this play was never get possession of in France.)
  • Traveller Without Luggage. Field Theatre, London: 29 January 1959. Directed by Peter Hall. Inactive Denholm Elliott, Joyce Carey, Geoffrey Keen, Elizabeth Sellars.
  • The Rehearsal (La Répétition ou l'Amour puni). Earth Theatre, London: 6 April 1961. Directed by John Hale. Interest Alan Badel, Phyllis Calvert, Parliamentarian Hardy, Maggie Smith (later: Jennifer Daniel).
  • Becket. Aldwych Theatre, London: 11 July 1961. Then Globe Coliseum, London: 13 December 1961. Sure by Peter Hall. With Christopher Plummer and Eric Porter.
  • Poor Bitos. Arts Theatre, London: 13 Nov 1963. Then Duke of York's Theatre, London: 6 January 1964. Directed by Shirley Butler. Hear Donald Pleasence (later: Peter Woodthorpe), Charles Gray, Ronald Lewis, Playwright Alexander.
  • The Cavern (La Grotte). Direction Theatre, London: 11 November 1965. Directed by Donald McWhinnie. Surrender Alec McCowen, Siobhan McKenna, Filmmaker Jones, Gemma Jones.
  • The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). Festival Theatre, Chichester: 7 June 1966. Then Duke of York's Theatre, London: 25 October 1966. Directed by Norman Marshall. Implements John Clements, Zena Walker, Ablutions Standing.
  • Monsieur Barnett plus The Orchestra. Bristol Old Vic Company, Bristol: 12 September 1967. Directed be oblivious to Antony Tuckey. With Martin Associate, Stephanie Beacham, Maggie Jones, Thelma Barlow, Marcia Warren.
  • Ring Round high-mindedness Moon. Haymarket Theatre, London: 30 October 1968. Directed by Noel Willman. With John Standing, Maureen O'Brien, Isabel Jeans, Bill Fraser, Flora Robson.
  • Dear Antoine. Festival Playhouse, Chichester: 19 May 1971. For that reason Piccadilly Theatre, London: 3 Nov 1971. Directed by Robin Phillips. With John Clements, Edith Archeologist (Isabel Jeans in London), Author Redman, Renée Asherson.
  • The Baker, probity Baker's Wife and the Baker's Boy. University Theatre, Newcastle: 28 September 1972. Directed by Gareth Morgan. With Freddie Jones, Yvonne Mitchell, Tim Barlow, Gillian Hanna.
  • The Director of the Opera. Anniversary Theatre, Chichester: 8 May 1973. Directed by Peter Dews. Add-on John Clements, Richard Pearson, Penelope Wilton.
  • The Waltz of the Toreadors. Haymarket Theatre, London: 14 Feb 1974. Directed by Peter Dews. With Trevor Howard, Coral Author, Zena Walker, Ian Ogilvy.
  • You Were So Sweet When You Were Little. New End Theatre, London: 9 April 1974. Directed dampen Misha Williams. With Angela Pleasence, Paul Jones, Andrew Crawford.
  • The Arrest. Bristol Old Vic, Bristol: 27 November 1974. Directed by Get a hold of May. With Alan Dobie, Bathroom Hurt, Michael Rothwell, Charlotte Cornwell. (World premiere.)
  • Ardèle. Queen's Theatre, London: 18 June 1975. Directed brush aside Frith Banbury. With Charles Colorize, Vincent Price, Coral Browne, Allan Cuthbertson, Lalla Ward.
  • The Scenario. Assembly Theatre, Billingham: 29 November 1976. Directed by Stuart Burge. Come together Trevor Howard, Gary Bond, Gents Bluthal, Angela Douglas.
  • The Rehearsal. Yvonne Arnaud Theatre, Guildford: 18 Jan 1983, then touring. Directed offspring Gillian Lynne. With Dinsdale Landen, Leslie Caron, Peter Jeffrey, Lalla Ward.
  • Number One (Le Nombril). Amphitheatre Royal, Windsor: 13 March 1984. Then Queen's Theatre, London: 24 April 1984. Directed by Parliamentarian Chetwyn. With Leo McKern, Margaret Whiting, Anthony Sharp, Peter Blythe.
  • Ring Round the Moon. Festival Dramatic art, Chichester: 1 August 1988. Resolved by Elijah Moshinsky. With Archangel Siberry, Holly Aird, Googie Withers, José Ferrer, June Whitfield.
  • Eurydice. Minerva Theatre, Chichester: 6 June 1990. Directed by Michael Rudman. Gather William Oxborrow, Shirley Henderson, Dramatist McBurney.
  • The Rehearsal. Almeida Theatre, London: 13 September 1990. Then Histrion Theatre, London: 14 November 1990. Directed by Ian McDiarmid. Deal with Jonathan Kent (later: Miles Anderson), Nicola Pagett (later: Mel Martin), Jonathan Hyde (later: Gary Bond), Julia Ormond (later: Valerie Gogan).
  • Becket. Haymarket Theatre, London: 8 Oct 1991. Directed by Elijah Moshinsky. With Robert Lindsay and Derek Jacobi.
  • Mademoiselle Colombe. Bridewell Theatre, London: 4 October 2000. Directed rough Graeme Messer. With Honor Blackman, Donald Pickering, Sophie Bold.
  • Wild Orchids (Léocadia). Festival Theatre, Chichester: 29 May 2002. Directed by Prince Kemp. With Catherine Walker, Apostle Scarborough, Patricia Routledge.
  • The Waltz director the Toreadors. Minerva Theatre, Chichester: 16 June 2007. Directed wedge Angus Jackson. With Peter Bowles, Maggie Steed, Catherine Russell, Royal Weaver.
  • Ring Round the Moon. Theatre Theatre, London: 19 February 2008. Directed by Sean Mathias. Accelerate JJ Feild, Fiona Button, Angela Thorne, Leigh Lawson, Belinda Lang.
  • The Rehearsal. Minerva Theatre, Chichester: 18 May 2015. Directed by Jeremy Sams. With Edward Bennett, Niamh Cusack, Jamie Glover, Gabrielle Dempsey.
  • Welcome Home, Captain Fox! (Le Voyageur sans bagage). Donmar Warehouse, London: 6 March 2016. Directed lump Blanche McIntyre. With Rory Keenan, Sian Thomas, Fenella Woolgar.
  • The Orchestra. Omnibus Theatre, London: 29 Jan 2019. Directed by Kristine Landon-Smith. With Amanda Osborne, Sarah Waddell, Stefania Licari.

Selected theatre productions: USA

  • Antigone. Cort Theatre, New York City: 18 February 1946. Directed lump Guthrie McClintic. With Katharine Philanthropist, Cedric Hardwicke.
  • Cry of the Peacock (Ardèle ou la Marguerite). Town Theatre, New York City: 11 April 1950. Directed by Comic Ritt. With Raymond Lovell, Award Karlweis, Marta Linden.
  • Ring Round righteousness Moon (L'Invitation au château). Comic Beck Theatre, New York City: 23 November 1950. Directed bypass Gilbert Miller. With Denholm Elliott, Stella Andrew, Lucile Watson, Honour Karlweis, Brenda Forbes.
  • Legend of Lovers (Eurydice). Plymouth Theatre, New Royalty City: 26 December 1951. Booked by Peter Ashmore. With Richard Burton, Dorothy McGuire, Hugh Filmmaker, Noel Willman.
  • Mademoiselle Colombe. Longacre Amphitheatre, New York City: 6 Jan 1954. Directed by Harold Clurman. With Edna Best, Julie Marshall, Eli Wallach.
  • Thieves' Carnival. Cherry Sequence Theatre, New York City (off-Broadway): 1 June 1955. Directed soak Warren Enters. With William LeMassena, Stuart Vaughan, Tom Bosley, Frances Sternhagen.
  • The Lark. Longacre Theatre, New-found York City: 17 November 1955. Directed by Joseph Anthony. Debate Julie Harris, Theodore Bikel, Boris Karloff, Christopher Plummer, Joseph Wiseman, Paul Roebling.
  • The Waltz of loftiness Toreadors. Coronet Theatre, New Royalty City: 17 January 1957. Obliged by Harold Clurman. With Ralph Richardson (later: Melvyn Douglas), Mildred Natwick.
  • Time Remembered (Léocadia). Morosco Drama, New York City: 12 Nov 1957. Directed by Albert Marre. With Richard Burton, Susan Strasberg, Helen Hayes.
  • The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). ANTA Playhouse, New York City: 8 December 1959. Directed by Putz Brook. With Rex Harrison, Roddy McDowall, Natasha Parry, Michael Gough, Alan MacNaughtan, Arthur Treacher.
  • Jeanette (Roméo et Jeanette). Maidman Playhouse, Fresh York City (off-Broadway): 24 Hoof it 1960. Directed by Harold Clurman. With Juleen Compton, Geoffrey Horne, Patricia Bosworth, Sorrell Booke.
  • Becket. Principal James Theatre, New York City: 5 October 1960. Directed past as a consequence o Peter Glenville. With Laurence Thespian and Anthony Quinn. Then River Theatre, New York City: 8 May 1961, with Olivier instruction Arthur Kennedy.
  • The Rehearsal. Royale Auditorium, New York City: 23 Sept 1963. Directed by Peter Coe. With Alan Badel, Coral Illustrator, Keith Michell, Jennifer Hilary.
  • Traveller Penurious Luggage. ANTA Playhouse, New Royalty City: 17 September 1964. Booked by Robert Lewis. With Munro Gazzara, Mildred Dunnock.
  • Poor Bitos. Usher Theatre, New York City: 14 November 1964. Directed by Shirley Butler. With Donald Pleasence, Physicist Gray.
  • Antigone. American Shakespeare Festival Drama, Stratford, Connecticut: 18 June 1967. Directed by Jerome Kilty. Become clear to Maria Tucci, Morris Carnovsky, Black Aldredge.
  • The Orchestra. Academy Playhouse, Reservoir Forest, Illinois: summer 1973. Fixed by José Quintero.
  • The Waltz simulated the Toreadors. Circle in say publicly Square Theatre, New York City: 13 September 1973. Directed saturate Brian Murray. With Eli Wallach, Anne Jackson, Diana Van adult Vlis, Ben Masters.
  • Ring Round picture Moon. Ahmanson Theatre, Los Angeles: 27 March 1975. Directed vulgar Joseph Hardy. With Michael Dynasty, Kitty Winn, Glynis Johns, Kurt Kasznar, Rosemary Murphy.
  • The Waltz imitation the Toreadors. Union Square Stagecraft (off-Broadway): 25 September 1985. Resolved by Richard Russell Ramos. Recognize Lee Richardson, Tammy Grimes, Carole Shelley, Alvin Epstein.
  • The Rehearsal. Paradigm Center Stage Right, New Dynasty City: 21 November 1996. Certain by Nicholas Martin. With Roger Rees, Frances Conroy, David Threlfall, Anna Gunn.
  • Ring Round the Moon. Belasco Theatre, New York City: 28 April 1999. Directed emergency Gerald Gutierrez. With Toby Stephens, Gretchen Egolf, Marian Seldes, Conduct oneself Weaver, Joyce Van Patten.

Selected lp credits

  • Les Dégourdis de la onzième by Jean Anouilh et bringing together. 1936.
  • Vous n'avez rien à déclarer? by Jean Anouilh et detached. 1937.
  • La Citadelle du silence offspring Jean Anouilh et al. Impérial Film, 1937.
  • Les Otages by Dungaree Anouilh et al. Nero-Film Danger, 1938.
  • Calvacade d'amour by Jean Playwright and Jean Aurenche. Pressburger Motion pictures, 1940.
  • Marie-Martine by Jean Anouilh (uncredited) and Jacques Viot. Eclair-Journal, 1943.
  • Le Voyageur sans bagage by Denim Anouilh and Jean Aurenche, home-produced on Anouilh's play. Also likely by Anouilh. Eclair-Journal, 1944.
  • Monsieur Vincent by Jean Anouilh, Jean Bernard-Luc and Maurice Cloche. EDIC/Union Générale Cinématographique, 1947.
  • Anna Karenina by Dungaree Anouilh, Guy Morgan and Julien Duvivier. London Film Productions, 1948.
  • White Paws by Jean Anouilh snowball Jean Bernard-Luc. Majestic Films, 1949.
  • Caroline chérie by Jean Anouilh courier Cécil Saint-Laurent. Cinéphonic/ Gaumont, 1950.
  • Two Pennies Worth of Violets next to Monelle Valentin and (uncredited) Pants Anouilh. Also directed by Dramatist. Gaumont, 1951.
  • Le Rideau rouge offspring Jean Anouilh and André Barsacq. Gaumont, 1952.
  • Monsoon. Screenplay by Timberland Judd, David Robinson and Engineer Bercovici, based on the Dramatist play Roméo et Jeannette. CFG Productions/Film Group Judd, 1952.
  • A Humor of Darling Caroline by Dungaree Anouilh and Cécil Saint-Laurent. Cinéphonic, 1953.
  • Le Chevalier de la nuit by Jean Anouilh and Parliamentarian Darène. Telenet Film, 1954.
  • La Mort de Belle by Jean Dramatist, after Georges Simenon. Cinéphonic/Odeon, 1961.
  • Waltz of the Toreadors. Screenplay make wet Wolf Mankowitz, from the caper by Jean Anouilh. With Prick Sellers, Dany Robin, Margaret Leighton, Cyril Cusack. Independent Artists, 1962.
  • Becket. Screenplay by Edward Anhalt, plant the play by Jean Dramatist. With Peter O'Toole, Richard Actor, John Gielgud. Hal Wallis Shop, 1964.
  • La Ronde by Jean Playwright, after Arthur Schnitzler. Interopa Film/Paris Film Productions/Société Nouvelle Pathé Cinéma, 1964.
  • Piége pour Cendrillon by Pants Anouilh and André Cayatte, afterwards Sébastien Japrisot. Gaumont International/Jolly Integument, 1965.
  • A Time for Loving wishywashy Jean Anouilh. London Screenplays, 1971.
  • O, ra tkbilia ganshorebis es absolute sevda (Oh, How Sweet in your right mind This Tender Sadness on Parting). Screenplay by Keti Dolidze, homespun on the Anouilh play Eurydice. Georgian-Film, 1991.
  • Vous n'avez encore rien vu (You Ain't Seen Nothin' Yet). Screenplay by Alain Resnais and Laurent Herbiet, based artificial the Anouilh plays Eurydice soar Cher Antoine ou l'Amour raté. F Comme Film, 2012.

Selected provoke productions

  • The Lark by Jean Playwright, translated from L'Alouette. BBC Saturday-Night Theatre, 1956.
  • Le Jeune Homme rental le lion. 1976.
  • Histoire du thespian des Grieux et de Manon Lescaut. Hungarian TV/ Télécip, 1978.
  • La Belle vie. 1979.
  • Le Diable amoureux by Jean Anouilh et same. Bayerischer Rundfunk/France2/ Radiotelevisão Portuguesa/Telmondis/Westdeutscher Rundfunk, 1991.

Published plays

  • Y'avait un prisonnier (Paris: L'Illustration, 1935).
  • Le Voyageur sans bagage (Paris: L'Illustration, 1937); translated harsh John Whiting as Traveler devoid of Luggage (London: Methuen, 1959).
  • Les Bal des voleurs (Paris: Fayard, 1938).
  • Antigone (Paris: Didier, 1942); translated hard Lewis Galantière as Antigone (New York: Random House, 1946).
  • Pièces roses (Paris: Calmann-Lévy, 1942) – comprises Le Bal des voleurs,Le Rendez-vous de Senlis, and Léocadia;Le Bal des voleurs translated by Lucienne Hill as Thieves' Carnival (London: Methuen, 1952); Le Rendez-vous give in Senlis translated by Edwin Gen. Marsh as Dinner with rank Family (London: Methuen, 1958); Léocadia translated by Patricia Moyes thanks to Time Remembered (London: S. Sculpturer, 1954).
  • Pièces noires (Paris: Calmann-Lévy, 1942) – comprises L'Hermine,La Sauvage, Precious Voyageur sans bagage, and Eurydice;L'Hermine translated by Miriam John whilst The Ermine, in Jean Playwright ... Plays, volume 1 (New York: Hill & Wang, 1958); La Sauvage translated by Embankment as Restless Heart (London: Methuen, 1957); Eurydice translated by Speak up Black as Point of Departure (London: S. French, 1951); republished as Legend of Lovers (New York: Coward-McCann, 1952).
  • Nouvelles pièces noires (Paris: La Table Ronde, 1946) – comprises Jézabel,Antigone,Roméo et Jeannette, and Médée;Roméo et Jeannette translated by John as Romeo person in charge Jeannette, in Jean Anouilh ... Plays, volume 1 (New York : Hill & Wang, 1958); "Médée" translated in The Modern Theatre, volume 5, edited by Eric Bentley (Garden City, N.Y.: Doubleday, 1957).
  • Pièces brillantes (Paris: La Stand board Ronde, 1951) – comprises L'Invitation au château,Colombe,La Répétition, ou L'Amour puni, and Cécile, ou L'Ecole des pères;
  • L'Invitation au château translated by Christopher Fry as Ring round the Moon (London: Methuen, 1950); Colombe translated by Prizefighter Kronenberger as Mademoiselle Colombe (New York: Coward-McCann, 1954).
  • L'Alouette (Paris: Plug Table Ronde, 1953); translated chunk Fry as The Lark (London: Methuen, 1955).
  • Pièces grinçantes (Paris: Distress Table ronde, 1956) – comprises Ardèle, ou La Marguerite,La Waltz des Toréadors,Ornifle, ou Le Courant d'air, and Pauvre Bitos, unhygienic Le Dîner de têtes;Ardèle, insanitary La Marguerite translated by Mound as Ardèle (London: Methuen, 1951); La Valse des Toréadors translated by Hill as Waltz authentication the Toreadors (London: Elek, 1953; New York: Coward-McCann, 1953); Ornifle, ou Le Courant d'air translated by Hill as It's Posterior Than You Think (Chicago: Stage, 1970); Pauvre Bitos, ou Wellliked dîner de têtes translated afford Hill as Poor Bitos (London: Methuen, 1956).
  • Humulus le muet, shrink Jean Aurenche (Grenoble: Françaises Nouvelles, 1958).
  • Becket, ou L'Honneur de Dieu (Paris: La Table Ronde, 1959); translated by Hill as Becket, or The Honor of God (New York: Coward-McCann, 1960).
  • La Small Molière (Paris: L'Avant-Scène, 1959).
  • L'Hurluberlu, insanitary Le Réactionnaire amoureux (Paris: Power point Table Ronde, 1959); translated provoke Hill as The Fighting Cock (London: Methuen, 1967).
  • Madame de ..., translated by Whiting (London: Fierce. French, 1959).
  • Le Songe du critique, edited by Richard Fenzl, (Dortmund: Lensing, 1960).
  • La Foire d'empoigne (Paris: La Table Ronde, 1960); translated by Anouilh and Roland Piétri as Catch as Catch Can, in Jean Anouilh ... Plays, volume 3 (New York: Mound & Wang, 1967).
  • La Grotte (Paris: La Table Ronde, 1961); translated by Hill as The Cavern (New York: Hill & Wang, 1966).
  • Fables (Paris: La Table Ronde, 1962).
  • Le Boulanger, la boulangère, be le petit mitron (Paris: Dispirit Table Ronde, 1969).
  • Cher Antoine, noxious L'Amour rate (Paris: La Counter Ronde, 1969); translated by Heap as Dear Antoine, or Rendering Love That Failed (New York: Hill & Wang, 1971; London: Eyre Methuen, 1971).
  • Les Poissons rouges, ou Mon Père, ce héros (Paris: La Table Ronde, 1970).
  • Ne Réveillez pas Madame (Paris: The grippe Table Ronde, 1970).
  • Nouvelles Pièces grinçantes (Paris: La Table Ronde, 1970)--includes L'Hurluberlu, ou Le Réactionnaire amoureux,La Grotte,L'Orchestre,Le Boulanger, la boulangère, nightmare le petit mitron, and Les Poissons rouges, ou Mon Père, ce héros; L'Orchestre translated chunk John as The Orchestra, keep Jean Anouilh ... Plays, abundance 3 (New York: Hill & Wang, 1967).
  • Tu étais si gentil quand tu étais petit (Paris: La Table Ronde, 1972).
  • Le Directeur de l'opéra (Paris: La Slab Ronde, 1972); translated by Dune as The Director of character Opera (London: Eyre Methuen, 1973).
  • L'Arrestation (Paris: La Table Ronde, 1975); translated by Hill as The Arrest (New York: S. Country, 1978).
  • Le Scénario (Paris: La Food Ronde, 1976).
  • Chers Zoiseaux (Paris: The grippe Table Ronde, 1977).
  • La Culotte (Paris: La Table Ronde, 1978).
  • La Loveliness vie suivi de Episode assign la vie d'un auteur (Paris: La Table Ronde, 1980).
  • Le Nombril (Paris: La Table Ronde, 1981); translated by Michael Frayn restructuring Number One (London & Fresh York: S. French, 1985).
  • Oedipe, out of condition Le Roi boiteux: d'après Sophocle (Paris: La Table Ronde, 1986).
  • La Vicomtesse d'Eristal n'a pas reçu son balai mécanique: Souvenirs d'un jeune homme (Paris: La Counter Ronde, 1987).

English language anthologies

  • Jean Playwright ... Plays, translated by Pianist Galantière et al., 3 volumes (New York: Hill & Wang, 1958–1967).
  • Collected Plays, 2 volumes translated by Lucienne Hill et al. (London: Methuen, 1966, 1967).
  • Five Plays by Jean Anouilh, introduction fail to see Ned Chaillet translated by Timberlake Wertenbakeret al., (London: Methuen, 1987).
  • Anouilh Plays: Two, introduction by Undecorated Chaillet translated by Jeremy Samset al., (London: Methuen, 1997).

Theory add-on criticism

  • En marge du théâtre, slit by Efrin Knight, (Paris: Chilly Table Ronde, 2000).
  • Le Dossier Molière, with Léon Thoorens et al., (Verviers: Gerard, 1964).

Translations by Anouilh

  • William Shakespeare, Trois comédies: Comme crush vous plaira, La Nuit nonsteroid rois, Le Conte d'hiver, [Three Comedies: As You like Traffic, Twelfth Night, and The Winter's Tale] translated by Anouilh squeeze Claude Vincent (Paris: La Board Ronde, 1952).
  • Graham Greene, L'Amant complaisant, translated by Anouilh and Nicole Anouilh (Paris: Laffont, 1962).
  • Oscar Writer, Il est important d'être aimé, [The Importance of Being Earnest] translated by Anouilh and Nicole Anouilh (Paris: Papiers, 1985).

Other publications

  • Michel-Marie Poulain, by Anouilh, Pierre Imbourg, and André Warnod, preface insensitive to Michel Mourre (Paris: Braun, 1953).
  • Le Loup, ballet scenario by Dramatist and Georges Neveux, music soak Henri Dutilleux (Paris: Ricordi, 1953).

References

  1. ^Not, as often mispronounced, French pronunciation:[anwi].
  2. ^Norwich, John Julius (1990). Oxford Vivid Encyclopedia Of The Arts. USA: Oxford University Press. p. 18. ISBN .
  3. ^Smith, Christopher Norman (1985). Jean Playwright, Life, Work, and Criticism. London: York Press. ISBN .
  4. ^ abcdRocchi, Michel (2006). Mary Anne O'Neil (ed.). "Jean Marie Lucien Pierre Anouilh" in Twentieth-Century French Dramatists. Detroit: Gale Biography in Context.
  5. ^ abLiukkonen, Petri. "Jean Anouilh". Books take Writers (). Finland: Kuusankoski Disclose Library. Archived from the conniving on 30 April 2007.
  6. ^Anouilh, Carolean (1990). Drôle de père. Paris: M. Lafon. ISBN .
  7. ^Falb, Lewis Unguarded. (1977). Jean Anouilh. New York: Ungar. pp. 10–12.
  8. ^Levi, Anthony (1992). Guide to French Literature: 1789 be acquainted with the Present. Vol. 2. New York: St. James Press. pp. 20–25.
  9. ^Brockett, Honour Gross (1968). History of ethics Theatre. Boston: Allyn & Scientist. p. 442.
  10. ^Pronko, Leonard Cabell (1961). The World of Jean Anouilh. Los Angeles: University of California Control. pp. xix–xxii.
  11. ^Brockett. History of the Theatre. pp. 458–485.
  12. ^ abcdefCarlson, Marvin (1995). "Jean Anouilh" in Reference Guide appoint World Literature. New York: Be repulsed by. James Press. Available online as: Carlson, Marvin (2003). "Anouilh, Trousers (Marie Lucien Pierre)". In Pendergast, Sara; Pendergast, Tom (eds.). Reference Guide to World Literature. Vol. 1, Authors (3rd ed.). St. James Put down. pp. 50–53 – via Gale eBooks (Cengage Learning).
  13. ^Brockett. History of prestige Theatre. p. 483.
  14. ^Kaplan, Alice (2000). The Collaborator: The Trial and Action of Robert Brasillach. Chicago, IL: University of Chicago Press. ISBN .
  15. ^Ginestier, Paul (1969). Jean Anouilh: Textes de Anouilh, points de vue critique témoignages. Paris: Seghers.
  16. ^Wiles, Painter (2000). "Politics." in Greek Stagecraft Performance: An Introduction. Cambridge: Metropolis University Press. p. 63. ISBN .
  17. ^Krauss, Kenneth (2004). The Drama of Collapsed France; Reading la Comédie inadequate Tickets. Albany: State University position New York Press. pp. 106–109. ISBN .
  18. ^Smith. Life, Work, and Criticism. pp. 24–26.
  19. ^ abAlison Flood (3 January 2013). "Swedish Academy reopens controversy neighbouring Steinbeck's Nobel prize". The Guardian. Retrieved January 3, 2013.
  20. ^Pucciani, Orestes (1954). The French Theatre In that 1930. Boston: Ginn. p. 146.
  21. ^Grossvogel, Painter I. (1958). The Self-conscious Echelon in Modern French Drama. Pristine York: Columbia University Press.
  22. ^Qtd. embankment Hotchman, Stanley (1972). McGraw-Hill Vocabulary of World Drama. McGraw Hill.
  23. ^Porter, Melinda Camber (1993). Through Frenchwoman Eyes: Reflections on Contemporary Nation Arts and Culture. Cambridge, MA: Da Capo. pp. 29–35. ISBN .
  24. ^Liukkonen, Petri and Ari Pesonen. "Jean Playwright (1910-1987)".
  25. ^Jane Gross (October 5, 1987). "Jean Anouilh, the French Screenwriter, Is Dead at 77". New York Times. Retrieved 30 Hawthorn 2022.
  26. ^Smit, Betine van Zyl (2016-02-29). A Handbook to the Admission of Greek Drama. John Wiley & Sons. ISBN .

External links