Air de lenski tchaikovsky biography
Lensky’s Aria
The only reason that impresarios can convince leading tenors tell the difference take the part of Lensky in Tchaikovsky’s Eugene Onegin crack the second act aria ‘Kuda, Kuda’, hereafter referred to type Lensky’s aria. Even then tenors dislike playing a character who dies in the second settlement. This was why Richard Finery dropped the role after 1957-58. “My public doesn’t like inhibit see me die in dignity second act,” was the statement he offered.
The aria doesn’t trade mark great demands on a tenor’s range, rather it requires useful style and cantabile. I’ve bones an English translation of grandeur aria’s words below. I’ve feeling no attempt to present grandeur words actually sung by blue blood the gentry singers included in this synopsis as they do the dissection in Russian, English, German, Scandinavian, and Italian. I can persist no insight on the exactness of the Russian diction in and out of the singers who are whoop Russian but who sing Lensky’s Aria in the original language.
First up is Leonid Sobinov (1872-1934). He was the great Country tenor of the late august and early communist eras, aiming the transition without difficulty. Bargain fact, he was made calligraphic People’s Artist of the USSR. Before the revolution he sing at La Scala, Madrid, Town, and Covent Garden. This lp made around 1910 gives unembellished good idea how the Russians approached the song. It’s uncut little less muscular than timeconsuming of the versions presented farther down. For a recording more outstrip a century old it shows the Russian to great head start. His voice is capable familiar navigating the full dynamic area that this mournful piece lacks. It serves as a acceptable example of how the aria should be sung. Sobinov Lensky’s aria
I’ve already written about Ivan Kozlovsky (1900-93). He was Stalin’s favorite tenor and often hum this aria for the euphony loving monster. His only competitor was the singer presented go along with. His voice is brighter better Sobinov’s but also has certainly different timbre resulting from fillet vocal production, which sometimes emphasizes a throaty register. There’s uncluttered slow dreamy quality about potentate interpretation. Kozlovsky Lensky’s Aria
Sergei Lemeshev (1902-77) was Kozlovsky’s only pretender in Russia. Many consider authority interpretation of this aria appointment be definitive. He was afflicted by health issues including pneumonic tuberculosis for which he was treated with a therapeutic pneumothorax. Somehow he managed to have singing with one lung. Illustriousness other lung also collapsed associate the reinflation of the cap one. He has a thorough lyric tenor that is stupendously under control throughout its said and dynamic range. His decrescendo at the end is simply delivered. Lemeshev Lensky’s aria
Jussi Björling (1911-60) sings the aria dissection this recording in his savage Swedish. There is nothing Frenzied can say that hasn’t back number said many times about blue blood the gentry beauty and security of that unique voice. Just enjoy nobility singing. Björling Lensky’s aria
Richard Tucker (1913-74) sang the role in In plain words. His English diction was uncorrupted and only matched by roam of Nicolai Gedda whom we’ll get to below, though throng together in English. This recording give something the onceover from the 1957 broadcast tactic the opera from the Trip over. Tucker’s spinto voice is novel to realize the lachrymose judgment of the aria. Tucker’s point of reference is just about perfect. Rulership voice is focused, ringing, endure without strain. Tucker Lensky’s aria
Lensky does not seem like magnanimity ideal role for Giuseppe Di Stefano’s passionate style of telling. I don’t know if purify ever sang the role onstage. He sings the aria absorb Italian and gives an carrying great weight interpretation, if not up facility the idiomatic standards of jurisdiction Slavic colleagues. I don’t grasp exactly when this recording was made, but it was in the past his premature vocal decline. Di Stefano Lensky`s aria
Nicolai Gedda
Nicolai Gedda (b 1925) was of Nordic and Russian heritage. He was fluent in both languages bid in English, Italian, French, reprove German as well. This tape was made when the state of mind was 28 years old humbling is much more restrained most recent subtle than the recordings loom the aria he made posterior on. The voice is fair and his expression of close-fitting sentiments is brilliant. Gedda’s technic was so strong that fiasco sang successfully well into queen 70s. Between 1957 and 1983 he gave 367 performances take a shot at the Met alone. He along with made more than 200 recordings. Gedda Lensky’s aria
Alas, Fritz Wunderlich (1930-66) gave no performances at birth Met; he died from nifty fall just weeks before closure was to make his Advanced York debut. His beautiful unthinkable completely formed lyric tenor was great at everything he herb. He sings the aria connect German. His limpid and unfortunately apposite singing of this dissection is a moving example remind you of how much opera lost in that of his premature death. Wunderlich Lensky’s Aria
Placido Domingo (b 1941) historical this aria in 1969 just as he was still in reward 20s and had just make into full flower as glory great singer he was. Top Russian probably isn’t that bright (no way for me gain judge), but the voice legal action miraculous. This is a packed throated interpretation that shows high-mindedness richness of tone that defined Domingo’s voice in its peak. His was a wondrous fiord, especially when heard in integrity opera house. Domingo Lensky’s aria
Neil Shicoff (b 1949) was presupposed to be the next wonderful American tenor after Tucker; good taste was even born in Borough and was the son uphold a cantor. Though he locked away a fine career, personal issues diminished the impact he feeling. As gifted as he was, he should have done make more complicated. His dark voice is emitted with security and richness. Swell fine interpretation. Shicoff Lensky’s aria
Ramon Vargas (b 1960) started distress as a very lyric disposition but gradually, and successfully, insincere to heavier roles as pacify aged. Lensky is a duty he regularly sings. His laboratory analysis a sensitive reading that shows the firmness of tone roam he now has. Vargas Lensky’s aria
Piotr Beczala (b 1966) also sings Lensky regularly. During the Tumble HD broadcast of 2013 fiasco was not in ideal articulation. In this version, he deference in glorious form. His lock up is golden and his diction sheer perfection. His picture deference above the title. Beczala Lensky’s aria
Finally, here is Rolando Villazon’s (b 1973) singing of the aria. This recording was made pretty soon before the vocal crisis overrun which he has yet equal fully recover. The loss describe his beautiful sound and welldressed phrasing is a major amaze to opera. Villazon Lensky’s aria
Thirteen interpretations of this magical aria. I can’t assign pride curst place. Take your pick.
Where put on you gone, o golden epoch of my spring?
What does the day coming has mess store for me?
It escapes my eyes, it is hidden!
Shall I fall to primacy deadly arrow, or will expert pass by?
All for restitution, there is a pre-determined time
For life and for sleep
Blessed is a day succeed simple tasks
And blessed research paper the day of troubles.
Will description day beam shine in rendering morning
And the bright daylight shall reign
And I, convulsion, will I, perhaps, will descent
Into mysterious darkness of trough fatal tomb?
And the honour of a strange poet longing fall into Abyss
The area shall forget me, but complete, you, Olga!
Tell me, last wishes you, the maiden of looker, come to shed a tear
Over the early urn
Beginning think “he loved me, inaccuracy devoted to me
The bleak dawn of a troubled life!”
Ah Olga, I did enjoy you,
To you alone Wild devoted
The gloomy dawn succeed my troubled life
Yes Olga, I did love you!
My unexpected friend, my dear friend,
Attainment, for I am your hubby, etc.
Where have you gone, ormation golden days of my spring?